Photo: Maggie Shannon, Jenny Holzer, Nicole Franzen, Courtesy of Green River Project LLC
The objects, designers, news and events worth knowing about.
When MoMA announced it would start collecting video games 10 years ago, “all hell broke loose,” said Paola Antonelli, senior curator of architecture and design at the museum. in a TED talk on acquisitions. critics doubted if you like video games simcity2000 Y Minecraft they were a great form of creative expression, and there were complex negotiations with game designers and publishers about how to preserve and collect what essentially amounts to thousands of lines of source code. Since 2012, MoMA has acquired 36 games as part of a broader collection strategy around interactive design, and these are the focus of “Never Alone: video games and other interactive designs”, on view in the museum’s public gallery from September 10 to July 16, 2023. “Interactive design is so present in our lives, from video games to the MetroCard machine, ATMs and government websitesAntonelli said during a tour of the exhibition. “We believe that our job as curators is not to tell people what is good and what is bad, but to help them create their own critical sense and awareness of their surroundings so that they can be more powerful citizens, resist and demand better.” The exhibit, which includes ten playable games, shows how designers engage gamers through the worlds they create on screen, ultimately inviting us to think critically about how we experience all digital interfaces and our interactions with them. , especially as companies like Meta continue to force their version of the “metaverse” on us.
“Drawings you have never seen”, a new exhibition in Egg CollectiveThe Tribeca showroom highlights the private sketches and doodles of 30 artists and designers, including Lindsey Adelman, Liam Lee, Simone Bodman-Turner and Faye Toogood. The idea of ”drawing” is freely interpreted in the exhibition, which also includes paper, clay and wooden models. “Not only is it interesting to see that direct expression of the artist’s mind, but no one can see this”, says the curator of the exhibition, rodgerstevens. “There is a lot of genius and artistry on the way to the piece intended for public consumption.” For example, Stevens points to Tyler Hays, the founder of the furniture company BDDW, who usually “has everything polished and polished, but draws all these weird creatures all the time and texts them to me,” says Stevens. In addition to more technical and precise drawings of furniture components on graph paper, Hays’s contributions also include an amusing sketch of a soldier jumping over a landmine and a nude sitting on a tree branch, both of which reveal a less serious side of the painting. designer. The artists had a hard time convincing them to open their notebooks, but the community spirit that emerged from the pandemic eventually overcame any shyness. By appointment, until November 4.
object and thingart and design fair, has found a niche by exhibiting in architecturally outstanding houses, such as the House Noyesthe House LussY madoo, the former residence and studio of Robert Dash. (A generic white box gallery pales in comparison to the intimacy of walking through the time-worn custom-designed space.) latest furniture and art exhibition takes place in the Pink house, Ridgewood, New Jersey, residence of the late landscape architect James Rose. He conceived of his home as a small town — with a studio, main house and guest house inspired by Japanese architecture and made from reclaimed materials — that nestles into the landscape. The exhibition, co-curated with Green River Project, brings in works by Hugh Hayden, Charles and Ray Eames, Frances Palmer, and Michelle Oka Doner, among others, along with Rose’s own possessions. Until October 2.
Photo: Text: Andrew Solomon, remarks at the PEN Literary Gala, New York, April 26, 2017. © 2022 Jenny Holzer ARS
Like the recent stabbing of Salman Rushdie and the las vegas murder review magazine reporter jeff german spectacle, the necessary work of journalists and writers too often faces violence and repression. Next week, Jenny Holzer will present “speech itself”, an outdoor public installation that celebrates the right to speak, read and write freely by projecting a series of quotes from famous authors on freedom of expression at Rockefeller Center. The exhibition honors the 100th anniversary of America Ballpoint Pen, a collective that, through its campaigns, advocates for the fundamental right to be able to communicate without fear. Screenings take place between 8 and 10 p.m. from September 14 to 18.
Photo: Maggie Shannon
barbie is just Everywhereof barbiecore interiors to the next Barbie movie directed by Greta Gerwig and an increasing number of fashion collaborations. After the depressing solemnity of recent years and the beige that accompanied it, its world of bright hues feels like a welcome break. And now, a collaboration between Mattel and Backdrop Paint offers three new colors: Barbie Pink, Blue and Purple, in honor of the Ideal house60th anniversary this year. While one can only dream of having a three-story house with a pool, water slide and roof terrace, at least the colors (to match the current playhouse) are fully achievable.
Vincent Palacios, a potter based in Los Angeles, likens his creative process to that of a comedian: “There are set ideas, techniques and expectations; however, every time you create or act, something new comes up,” he says. “I’m more interested in those things that come up in the moment. Unexpected, surprising, mostly uncontrolled.” His latest show, “Haptic Memory,” on view at the Upper East Side gallery Gabriel and William, is a reflection of his love of improvisation, with lumpy pots he describes as “potato trees”. The sculptures are covered in amazing crackling and crawling glazes, making them feel like geological specimens from another world. Until November 10.